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Charles M Russell Tight Dalley and a Loose Latigo
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Charles M Russell Meat's Not Meat Til It s in the Pan
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Charles M Russell Lost in a Snow Storm-We are Friends
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Charles M Russell Innocent Allies
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Charles M Russell The Broken Rope
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Charles M Russell The Round Up
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Charles M Russell Cowboy Camp During The Round Up
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Charles M Russell The Wagon Boss
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Charles M Russell A Desperate Stand
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Charles M Russell The Wild Horse Hunters
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Charles M Russell Lewis and Clark Meeting Indians at Ross'Hole mk77
1912
Oil on canvas
25x12in
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Charles M Russell Watcher of the Plains mk162
c.1902
Bronze
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Charles M Russell Friend Tex mk162
1918
Watercolor and ink on paper
14x7
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Charles M Russell Self-Portrait mk162
1900
Watercolor on paper
12x7
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Charles M Russell Roping a Grizzly mk162
1903
Watercolor on paper
19x28
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Charles M Russell When Law Dulls the Edge of Chance mk162
1915
Oil on canvas
29x47
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Charles M Russell The Buffalo Herd mk162
Undated
Oil on board
17x23
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Charles M Russell Mountain Mother mk162
1924
Bronze
high 6
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Charles M Russell The Weaver mk162
1911
Bronze
Roman Bronze
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Charles M Russell Indian Women Moving Camp mk162
1898
Watercolor on paper
20x28
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Charles M Russell
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American Painter, 1864-1926
American painter and sculptor. In 1880 he left his upper-class home in St Louis for Montana Territory. He worked briefly on a sheep ranch, spent two years as a hunter's and trapper's assistant and then became a cowboy. During his considerable spare daytime hours he painted, sketched and modelled small animal figures in clay (e.g. Antelope, 1915; Fort Worth, TX, Amon Carter Mus.). Although he painted a few exceptional oils and watercolours prior to 1900, the vast majority of his best work was done in the last two decades of his life. Typically the subject-matter centres around cowboy life (e.g. Wagon Boss, 1909; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.) and the Plains Indians, for whom he had great respect. The luminous Piegans (1918; Denver, CO, Mus. W. A.), with its depiction of the Plains Indians, is a reminder of the vastness of the American West. Russell's sense of humour and empathy for his subject-matter radiates from his paintings as pleasingly as do the clear colours of the high country. His bronze sculptures (e.g. Buffalo Hunt, 1905; Denver, CO, Mus. W. A.) depict the same dramatic and tension-packed themes as his paintings.
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